1
00:00:53,549 --> 00:00:50,190
oh I bet blown off myself yes not blown

2
00:00:55,920 --> 00:00:53,559
off myself jack is now only now won't

3
00:00:59,610 --> 00:00:55,930
you Victor I'm taking it I'll get out of

4
00:01:01,200 --> 00:00:59,620
there yeah they even staged the scene

5
00:01:11,219 --> 00:01:01,210
for you there that's right they need

6
00:01:16,680 --> 00:01:11,229
good we have some more calentar ya later

7
00:01:20,279 --> 00:01:16,690
color wait I just around sure

8
00:01:22,200 --> 00:01:20,289
episode you bet now the CCB has been

9
00:01:24,420 --> 00:01:22,210
approved to remove the 250 so all you'll

10
00:01:30,900 --> 00:01:24,430
have is an item and that's all we

11
00:01:33,320 --> 00:01:30,910
brought today was a manicure it's nice

12
00:01:38,850 --> 00:01:35,910
last time I was up here there weren't as

13
00:01:41,280 --> 00:01:38,860
many buildings out of I know it just

14
00:01:43,230 --> 00:01:41,290
keep growing on you when we started this

15
00:01:45,660 --> 00:01:43,240
I was documenting all that weeds come up

16
00:01:47,730 --> 00:01:45,670
here and shoot it for resolution we

17
00:01:49,080 --> 00:01:47,740
could keep those grates over there and

18
00:01:51,090 --> 00:01:49,090
blowing it was out you could really tell

19
00:01:53,280 --> 00:01:51,100
if I mother Grace I get trained we've

20
00:01:56,700 --> 00:01:53,290
got sufficiently I help yourself if you

21
00:02:02,340 --> 00:01:56,710
need help I'm gonna let you do it yeah

22
00:02:05,430 --> 00:02:02,350
yup stop what film you got in here game

23
00:02:08,040 --> 00:02:05,440
yeah this is the 5017 that's a sa 64

24
00:02:11,910 --> 00:02:08,050
yeah the one the one place I was

25
00:02:13,320 --> 00:02:11,920
thinking it might be worse Wyman sure

26
00:02:14,330 --> 00:02:13,330
you would need to change the focus

27
00:02:17,589 --> 00:02:14,340
office

28
00:02:22,640 --> 00:02:17,599
but the telescope up an appendage deploy

29
00:02:27,140 --> 00:02:22,650
think 90 is pretty good shot yeah we

30
00:02:30,229 --> 00:02:27,150
separated fantastic we're not far so how

31
00:02:31,610 --> 00:02:30,239
long is it to where up about I'm just

32
00:02:33,140 --> 00:02:31,620
coming up on ninety above and we're

33
00:02:34,940 --> 00:02:33,150
looking at the telescope down against

34
00:02:41,030 --> 00:02:34,950
yours because daddy at a good place for

35
00:02:42,500 --> 00:02:41,040
25 to 30 minutes up to all that agree

36
00:02:44,809 --> 00:02:42,510
the other sequence once we're about a

37
00:02:46,430 --> 00:02:44,819
hundred feet or so back to start you

38
00:02:48,920 --> 00:02:46,440
know but I'll bet u infinity is still

39
00:02:50,750 --> 00:02:48,930
fine for that we'll look at the depth of

40
00:02:53,059 --> 00:02:50,760
field and if you guys ever shine it's

41
00:02:54,740 --> 00:02:53,069
gonna be a beautiful up oh yeah I'll bet

42
00:02:56,059 --> 00:02:54,750
you they will i'll pull out the books

43
00:02:57,830 --> 00:02:56,069
but I think in philly's doesn't be

44
00:03:00,740 --> 00:02:57,840
alright for that little now we're going

45
00:03:04,009 --> 00:03:00,750
I'll talk to Jeff and get him to you

46
00:03:05,600 --> 00:03:04,019
know give you a setting Dominator just

47
00:03:07,800 --> 00:03:05,610
get right towards the Terminator about

48
00:03:15,540 --> 00:03:07,810
that

49
00:03:22,710 --> 00:03:21,390
now you're going to have you push but

50
00:03:25,650 --> 00:03:22,720
you don't have a thin base in your

51
00:03:28,130 --> 00:03:25,660
future give you 270 or somewhere there

52
00:03:30,900 --> 00:03:28,140
about so you should have plenty of film

53
00:03:34,920 --> 00:03:30,910
now I've got the jail filter holders

54
00:03:37,080 --> 00:03:34,930
ordered for the nikon 180 f28 seems to

55
00:03:39,270 --> 00:03:37,090
be a real good linda's relatively fast

56
00:03:54,330 --> 00:03:39,280
and we still get some magnification on

57
00:04:17,180 --> 00:03:54,340
it it's a 180 millimeter f 2.8 we can

58
00:04:17,190 --> 00:04:25,840
example

59
00:04:38,600 --> 00:04:27,940
it's about sighs tripod you gotta have

60
00:04:46,429 --> 00:04:43,070
well BJ here it is technical rationale

61
00:04:49,309 --> 00:04:46,439
which was access to the deep draft barge

62
00:04:52,279 --> 00:04:49,319
oh I think that's the only time we

63
00:04:56,300 --> 00:04:52,289
looking yeah I think that's the only

64
00:05:00,709 --> 00:04:56,310
time we've used it to ya it's the only

65
00:05:02,540 --> 00:05:00,719
two-time yeah I remember the day they

66
00:05:10,100 --> 00:05:02,550
floated daddy and I think I came down to

67
00:05:12,950 --> 00:05:10,110
see it when brother did trying to make

68
00:05:22,820 --> 00:05:12,960
sure the park was in here a little bit

69
00:05:25,879 --> 00:05:22,830
of it i can see ya how many we supposed

70
00:05:27,260 --> 00:05:25,889
to take a couple after 34 okay i think

71
00:05:29,149 --> 00:05:27,270
there's enough for about six or eight

72
00:05:43,409 --> 00:05:29,159
everybody well i'm gonna take my sick

73
00:05:43,419 --> 00:06:15,410
just tell me what it is

74
00:06:15,420 --> 00:06:39,290
okay we'll try that huh

75
00:06:43,559 --> 00:06:41,700
we're about Pecos all the way to New

76
00:06:47,549 --> 00:06:43,569
Orleans I think into that I don't know

77
00:06:48,989 --> 00:06:47,559
yeah it's a beautiful shot fantastic and

78
00:06:51,179 --> 00:06:48,999
the funny part was that you can even

79
00:06:53,339 --> 00:06:51,189
tell distinctively where the bow conus

80
00:06:54,959 --> 00:06:53,349
escarpment is he you can fly over and

81
00:06:57,029 --> 00:06:54,969
can't even see it but for some reason I

82
00:07:11,339 --> 00:06:57,039
think it's best face morning do you tell

83
00:07:16,119 --> 00:07:14,200
that's good eating you know I got take a

84
00:07:19,990 --> 00:07:16,129
little circle and make sure it's clear

85
00:07:21,430 --> 00:07:20,000
of the roof just line it up on a dark

86
00:07:24,700 --> 00:07:21,440
part of the south shore harbor yeah

87
00:07:40,839 --> 00:07:24,710
three-point right in the corner window

88
00:07:43,330 --> 00:07:40,849
there I couldn't either some sunlight

89
00:07:45,339 --> 00:07:43,340
subscribe I did it up into this if I

90
00:07:47,620 --> 00:07:45,349
take it up to the clouds I could I get

91
00:07:50,439 --> 00:07:47,630
five point six oh I wasn't doing that I

92
00:07:53,200 --> 00:07:50,449
was just lining right up on them on the

93
00:07:54,879 --> 00:07:53,210
side of the building there we're looking

94
00:07:56,469 --> 00:07:54,889
at the same building the show ya how

95
00:07:58,300 --> 00:07:56,479
sure are we rich owe me big drill manure

96
00:08:01,210 --> 00:07:58,310
honk hotel got it right in a green

97
00:08:04,480 --> 00:08:01,220
windows in the corner circle around him

98
00:08:07,930 --> 00:08:04,490
yeah yeah I always do go on Laura so I

99
00:08:10,959 --> 00:08:07,940
tried to get baby get baby gets a

100
00:08:12,790 --> 00:08:10,969
McLaren in the marina yeah sure hope we

101
00:08:14,770 --> 00:08:12,800
get some magic intrusive yeah oh you

102
00:08:16,330 --> 00:08:14,780
will I guarantee you you stinking out

103
00:08:20,740 --> 00:08:16,340
the window you'll get nice pictures with

104
00:08:22,540 --> 00:08:20,750
it tips what is that we got what you

105
00:08:24,219 --> 00:08:22,550
have to and they'll have about 270

106
00:08:26,620 --> 00:08:24,229
exposure to eat so you got plenty of

107
00:08:27,909 --> 00:08:26,630
film take picture don't know you know

108
00:08:29,499 --> 00:08:27,919
don't worry about way you should take it

109
00:08:31,480 --> 00:08:29,509
or not just take them cuz you see that

110
00:08:34,000 --> 00:08:31,490
plenty of film I hear he says about a

111
00:08:36,010 --> 00:08:34,010
filter for this no now we're talking

112
00:08:38,709 --> 00:08:36,020
about a difference so check it out with

113
00:08:40,269 --> 00:08:38,719
an icon again a couple of jail cell I

114
00:08:43,710 --> 00:08:40,279
didn't remember one for mine oh there's

115
00:08:53,410 --> 00:08:47,410
okay spacecraft windows is good enough a

116
00:08:55,300 --> 00:08:53,420
filter really all right well I'll have

117
00:08:56,680 --> 00:08:55,310
these processed and I'll get him to Judy

118
00:08:59,920 --> 00:08:56,690
and she'll bring them and show them to

119
00:09:02,890 --> 00:08:59,930
you okay thank you thank you for coming

120
00:09:06,550 --> 00:09:02,900
over you need it need another session or

121
00:09:09,460 --> 00:09:06,560
anything okay not everyone up again come

122
00:09:11,019 --> 00:09:09,470
on the top of one law happy nice i don't

123
00:09:23,380 --> 00:09:11,029
know let Nassif a my way they're not

124
00:09:26,560 --> 00:09:23,390
though yeah primarily because he was no

125
00:09:28,240 --> 00:09:26,570
78 magnitude stars or what typically you

126
00:09:30,130 --> 00:09:28,250
have a current positions for because

127
00:09:35,860 --> 00:09:30,140
they're easy there's enough already it's

128
00:09:39,570 --> 00:09:35,870
straightforward to do okay oh 16 million

129
00:09:44,060 --> 00:09:41,510
in everything

130
00:09:48,600 --> 00:09:44,070
domestic pictures in the last thing we

131
00:09:53,190 --> 00:09:51,070
so the very last thing is still looking

132
00:09:57,670 --> 00:09:53,200
if you want to load is fine although

133
00:10:00,280 --> 00:09:57,680
they're not a way to go home first

134
00:10:08,820 --> 00:10:00,290
you're going to start in the ER

135
00:10:19,530 --> 00:10:08,830
checklist here now we have what specific

136
00:10:27,189 --> 00:10:19,540
the Alphans over here and on 16 and

137
00:10:39,690 --> 00:10:31,160
16 million camera is uh not exactly your

138
00:10:49,840 --> 00:10:41,889
were you here in the days of the debt

139
00:10:52,120 --> 00:10:49,850
cameras this is an Instamatic anyway

140
00:10:53,860 --> 00:10:52,130
that's all there is in this book there's

141
00:10:56,920 --> 00:10:53,870
the same thing malfunction and pictures

142
00:11:01,389 --> 00:10:56,930
for all the systems that began anything

143
00:11:05,110 --> 00:11:01,399
that flies pretty often is in our

144
00:11:07,300 --> 00:11:05,120
inventories spot meter stuff of that

145
00:11:13,060 --> 00:11:07,310
sort in the same sort of section into

146
00:11:17,460 --> 00:11:13,070
flight to that's desta also there isn't

147
00:11:22,569 --> 00:11:17,470
a workbook on this that I did bring a

148
00:11:25,760 --> 00:11:22,579
35-7 reading on route 7 I got three of

149
00:11:30,540 --> 00:11:25,770
them the full vm

150
00:11:32,370 --> 00:11:30,550
okay I've taken off all the attachments

151
00:11:35,460 --> 00:11:32,380
to the scanner so need to start from

152
00:11:38,640 --> 00:11:35,470
scratch here set at 45 degrees cloudy

153
00:11:41,980 --> 00:11:38,650
Popeye and it turns so one minute you're

154
00:11:53,870 --> 00:11:47,030
living here you can see the mirror

155
00:11:56,270 --> 00:11:53,880
turning around and actually get you can

156
00:11:57,150 --> 00:11:56,280
see most of the time you should be

157
00:12:02,710 --> 00:11:57,160
that's

158
00:12:07,480 --> 00:12:02,720
Jessica I opportunity to watch the

159
00:12:10,110 --> 00:12:07,490
screen get sharp yeah I did that the

160
00:12:12,340 --> 00:12:10,120
other thing is into the mirror terms

161
00:12:15,420 --> 00:12:12,350
well when you turn the camera off it

162
00:12:19,840 --> 00:12:15,430
always continues as much as it needs to

163
00:12:21,550 --> 00:12:19,850
to mirror the views issue if you pick up

164
00:12:24,340 --> 00:12:21,560
cameras Vanessa way that we're better

165
00:12:26,500 --> 00:12:24,350
than dead tree you can't see through the

166
00:12:28,030 --> 00:12:26,510
humerus just not adjusted to get it back

167
00:12:36,500 --> 00:12:28,040
the right position you can physically

168
00:12:36,510 --> 00:12:45,840
most

169
00:12:57,269 --> 00:12:47,819
the camera in the bag everything's about

170
00:13:14,519 --> 00:12:57,279
30 pounds at nine actually it starts 107

171
00:13:21,660 --> 00:13:14,529
below it goes back up technique can't

172
00:13:23,129 --> 00:13:21,670
move but maybe it good dude you didn't

173
00:13:25,680 --> 00:13:23,139
have that they don't think oh no it was

174
00:13:28,319 --> 00:13:25,690
gone so I got to actually do both of

175
00:13:36,059 --> 00:13:28,329
them on one place it was like it was a

176
00:13:48,230 --> 00:13:36,069
saint ended he's the neck day six

177
00:13:52,320 --> 00:13:50,280
attachments which which you have the

178
00:13:57,210 --> 00:13:52,330
automatic mode so it's not a couple of

179
00:13:58,920 --> 00:13:57,220
so then and the burger led is fun that's

180
00:14:01,110 --> 00:13:58,930
not an exposure led you mean little red

181
00:14:05,850 --> 00:14:01,120
light okay there's a red line in there

182
00:14:07,860 --> 00:14:05,860
finder in it's a motor speed light when

183
00:14:10,200 --> 00:14:07,870
you put our camera actually come on can

184
00:14:14,370 --> 00:14:10,210
go off and when you turn the camera off

185
00:14:16,080 --> 00:14:14,380
it should actually yeah that means that

186
00:14:17,700 --> 00:14:16,090
the motors are not up to 24 frames a

187
00:14:20,400 --> 00:14:17,710
second yeah you kids up there real quick

188
00:14:22,410 --> 00:14:20,410
if you have a bad battery that like to

189
00:14:24,870 --> 00:14:22,420
stay on constantly in touch you have a

190
00:14:27,900 --> 00:14:24,880
bad battery and therefore your motor

191
00:14:30,900 --> 00:14:27,910
speed is dropping but if you get it and

192
00:14:32,670 --> 00:14:30,910
lock it down till I that goes out if

193
00:14:36,000 --> 00:14:32,680
that light doesn't go out or something

194
00:14:39,090 --> 00:14:36,010
off speed and it could be because you

195
00:14:43,410 --> 00:14:39,100
have the film draft a quick run lunch do

196
00:14:47,520 --> 00:14:43,420
you have a bad battery run but not so

197
00:14:50,610 --> 00:14:47,530
fast hey ok so now let's see the camera

198
00:14:51,929 --> 00:14:50,620
together we adjusted that I after good

199
00:14:53,699 --> 00:14:51,939
battery on

200
00:14:55,710 --> 00:14:53,709
magazine and paper between ahead

201
00:14:59,609 --> 00:14:55,720
enrollment the next thing we're going to

202
00:15:06,319 --> 00:14:59,619
talk about salensus in the system is my

203
00:15:11,989 --> 00:15:09,229
lenses are quite different some people

204
00:15:16,389 --> 00:15:11,999
might want to do a lot together you've

205
00:15:24,489 --> 00:15:20,900
this lens is a 59 it's extremely wide

206
00:15:28,699 --> 00:15:24,499
angle only control on this amateur

207
00:15:31,669 --> 00:15:28,709
frozen ponds focus is real easy this

208
00:15:35,090 --> 00:15:31,679
point shoot but there's no Auto Meter

209
00:15:37,280 --> 00:15:35,100
needle doses because I just down drug

210
00:15:41,790 --> 00:15:37,290
repose why did you get out of them if

211
00:15:48,610 --> 00:15:41,800
it's up its outer space backwards

212
00:15:51,370 --> 00:15:48,620
our time but anyway if you use a 59

213
00:15:53,890 --> 00:15:51,380
focuses really but exposure is not

214
00:15:56,110 --> 00:15:53,900
really so you have to constantly adjust

215
00:15:59,350 --> 00:15:56,120
here now if you're in the midday once

216
00:16:01,150 --> 00:15:59,360
you adjust it is pretty much convince a

217
00:16:04,150 --> 00:16:01,160
matter what you shoot but on the five

218
00:16:10,070 --> 00:16:04,160
areas and stuff like that it gets

219
00:16:10,080 --> 00:16:13,499
he'll focus

220
00:16:19,239 --> 00:16:16,749
so I'd like to pass it around to operate

221
00:16:22,900 --> 00:16:19,249
me and while you're doing that I'm going

222
00:16:29,780 --> 00:16:22,910
to talk about side of the zune means

223
00:16:37,870 --> 00:16:32,480
in what context azarchel strange thing

224
00:16:40,660 --> 00:16:37,880
that we do is we fly tungsten town

225
00:16:42,530 --> 00:16:40,670
so if we should daylight here to color

226
00:16:46,400 --> 00:16:42,540
correct

227
00:16:50,210 --> 00:16:46,410
make sense also with this little

228
00:16:54,620 --> 00:16:50,220
Williams our smallest aperture is f-16

229
00:16:56,390 --> 00:16:54,630
ok we have 148 so we're overexposed so

230
00:16:59,540 --> 00:16:56,400
not only is this color correction but

231
00:17:04,850 --> 00:16:59,550
it's sunglasses it cuts down as a

232
00:17:06,440 --> 00:17:04,860
neutral obviously if you were to come

233
00:17:09,320 --> 00:17:06,450
into the cabin you would want to take

234
00:17:11,750 --> 00:17:09,330
this off because almost all of cabin

235
00:17:14,020 --> 00:17:11,760
photography is quiet which is not much

236
00:17:17,480 --> 00:17:14,030
life unless you have lots of sunshine

237
00:17:19,640 --> 00:17:17,490
it's you need all life get so you always

238
00:17:22,190 --> 00:17:19,650
take the software inside he's saying

239
00:17:25,580 --> 00:17:22,200
well put it on and go outside or off to

240
00:17:28,450 --> 00:17:25,590
sunglasses with macro ok so you focus

241
00:17:32,020 --> 00:17:28,460
and then you have your generation here

242
00:17:34,580 --> 00:17:32,030
if you want to go into metro macro right

243
00:17:36,950 --> 00:17:34,590
here with bankrupt if you want to get

244
00:17:39,410 --> 00:17:36,960
back out of macro push the macro but can

245
00:17:43,840 --> 00:17:39,420
you back out of the normal area is the

246
00:17:49,220 --> 00:17:47,299
talk about that when you Cameron the

247
00:17:54,140 --> 00:17:49,230
aperture ring is a little bit strange in

248
00:17:56,810 --> 00:17:54,150
that it moves from f-16 f2 but if you

249
00:18:00,080 --> 00:17:56,820
push this button I going on it's on auto

250
00:18:07,389 --> 00:18:00,090
exposure so I have to adjust exposure to

251
00:18:07,399 --> 00:18:14,600
we'll attach this to talk about that

252
00:18:23,280 --> 00:18:21,180
from such as a plus if it just each

253
00:18:25,020 --> 00:18:23,290
other plus it means it means it needs

254
00:18:27,930 --> 00:18:25,030
more like open up means you are

255
00:18:29,970 --> 00:18:27,940
overexposed it's the situation that you

256
00:18:35,130 --> 00:18:29,980
are doesn't tell you what to do excess

257
00:18:38,010 --> 00:18:35,140
of like you know the agrees email I

258
00:18:41,340 --> 00:18:38,020
coming in overexposed is down and under

259
00:18:43,380 --> 00:18:41,350
exposures over so with that lens if you

260
00:18:46,110 --> 00:18:43,390
adjust actor you can get the Neo right

261
00:18:48,480 --> 00:18:46,120
and center if you point care of the

262
00:18:50,220 --> 00:18:48,490
light the needles are dropped to the

263
00:18:53,490 --> 00:18:50,230
overexposed area and then you readjust

264
00:18:58,740 --> 00:18:53,500
the land player cam inside the finder

265
00:19:00,510 --> 00:18:58,750
your secret areas TV safe areas now when

266
00:19:03,300 --> 00:19:00,520
they take this film stuff they transfer

267
00:19:07,110 --> 00:19:03,310
this video so you want to keep your

268
00:19:23,419 --> 00:19:07,120
image within these little clients here

269
00:19:32,560 --> 00:19:26,730
wrong with 59 years of age across

270
00:19:34,620 --> 00:19:32,570
manhattan couldnt on some clothes there

271
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so once you put it on you just do a

272
00:20:04,030 --> 00:19:55,520
haha there's the captioning for that one

273
00:20:08,900 --> 00:20:04,040
I know there's a star up there I know oh

274
00:20:10,910 --> 00:20:08,910
we thought we'd do is is not really

275
00:20:14,450 --> 00:20:10,920
concentrate on the specifics of the

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00:20:17,570 --> 00:20:14,460
camera or here have been into a negative

277
00:20:19,130 --> 00:20:17,580
training situations so if you just bear

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with us what you've got the real

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00:20:23,630 --> 00:20:21,330
objective both in this session and a bit

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00:20:25,160 --> 00:20:23,640
one in building nine is for you to take

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00:20:28,850 --> 00:20:25,170
some pictures that we can go into the

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theater looking so won't talk too much

283
00:20:34,640 --> 00:20:31,350
an incredible power

284
00:20:39,650 --> 00:20:34,650
my friend over james and david how fun

285
00:20:41,900 --> 00:20:39,660
would charge on her head the first first

286
00:20:44,150 --> 00:20:41,910
thing i do is have a look at the tripod

287
00:20:48,140 --> 00:20:44,160
since that's gonna be your zero-g

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00:20:51,799 --> 00:20:48,150
simulator of the day and we've got to

289
00:20:54,860 --> 00:20:51,809
control Pam until you going to Chilton

290
00:20:59,320 --> 00:20:54,870
we have a lock here and just lock it

291
00:21:03,880 --> 00:21:01,810
and we have a panel van locked front

292
00:21:05,110 --> 00:21:03,890
same sort of flavor right the front so

293
00:21:07,060 --> 00:21:05,120
anytime you want to move the camera just

294
00:21:08,530 --> 00:21:07,070
unlock those and put it wherever you

295
00:21:12,580 --> 00:21:08,540
want to lock them back and stay right

296
00:21:15,430 --> 00:21:12,590
there and so will go through all all

297
00:21:19,510 --> 00:21:15,440
four of those today we talked some about

298
00:21:23,410 --> 00:21:19,520
exposure how to use the light meter out

299
00:21:26,230 --> 00:21:23,420
here and be able to relate that to what

300
00:21:27,940 --> 00:21:26,240
the film is going to record sort of

301
00:21:30,730 --> 00:21:27,950
range of values you'll be able to afford

302
00:21:33,130 --> 00:21:30,740
it and of course if we shoot Simon will

303
00:21:35,200 --> 00:21:33,140
will compare lenses when you see things

304
00:21:39,610 --> 00:21:35,210
in the science if that's value will be

305
00:21:41,140 --> 00:21:39,620
looking right in the Sun HSTs get you

306
00:21:42,820 --> 00:21:41,150
familiar with what the different lenses

307
00:21:45,540 --> 00:21:42,830
will do in that situation and we got a

308
00:21:48,340 --> 00:21:45,550
pretty good contrast arrangement of

309
00:21:49,870 --> 00:21:48,350
Saturn 5 so that's some of the things

310
00:21:52,300 --> 00:21:49,880
we'll be doing out here today that we're

311
00:21:55,800 --> 00:21:52,310
gone in the cct later the engineer's

312
00:22:01,290 --> 00:21:59,160
mr. de la pipe in once in a while keep

313
00:22:03,300 --> 00:22:01,300
the action main actually in the omnimax

314
00:22:05,430 --> 00:22:03,310
i'm shooting with us sorry try to keep

315
00:22:06,720 --> 00:22:05,440
it in old really down in the low part of

316
00:22:07,860 --> 00:22:06,730
the front otherwise time feeling when

317
00:22:10,080 --> 00:22:07,870
you can have your look around and

318
00:22:15,120 --> 00:22:10,090
strength or neck to see what's going on

319
00:22:17,070 --> 00:22:15,130
it's right if you carry yes you can back

320
00:22:20,970 --> 00:22:17,080
to have a chance to do that if you got

321
00:22:25,250 --> 00:22:20,980
that choice you can do it yeah generally

322
00:22:28,200 --> 00:22:25,260
speaking if you keep things in the more

323
00:22:31,380 --> 00:22:28,210
in the center part and not too high

324
00:22:33,870 --> 00:22:31,390
that's a kind of a good grow a good rule

325
00:22:35,610 --> 00:22:33,880
of thumb for almost anything but lots of

326
00:22:39,510 --> 00:22:35,620
shots we've got no truck you can fill it

327
00:22:41,610 --> 00:22:39,520
Fred well I normal pattern has been for

328
00:22:43,980 --> 00:22:41,620
everybody to take at least one and it's

329
00:22:45,780 --> 00:22:43,990
possible what two shots certify you're

330
00:22:48,660 --> 00:22:45,790
here why we try for a Reuben things you

331
00:22:51,060 --> 00:22:48,670
think about a shot you'd like to take

332
00:22:53,490 --> 00:22:51,070
here here wherever we can move the

333
00:22:55,350 --> 00:22:53,500
camera to wherever you want and take and

334
00:22:57,150 --> 00:22:55,360
think of a couple of different lenses

335
00:22:59,010 --> 00:22:57,160
one shot with one lens mother shot with

336
00:23:02,910 --> 00:22:59,020
another and we'll try to move it around

337
00:23:05,040 --> 00:23:02,920
to give everybody two turns to to shoot

338
00:23:06,360 --> 00:23:05,050
something so you choose the ears look

339
00:23:09,360 --> 00:23:06,370
around and find something you like to

340
00:23:14,650 --> 00:23:09,370
shoot so what you want to do is probably

341
00:23:19,780 --> 00:23:16,730
buddy will find that little switch

342
00:23:31,369 --> 00:23:19,790
that's for sure and shutter switch I

343
00:23:35,339 --> 00:23:33,839
okay that's not moving a little element

344
00:23:36,569 --> 00:23:35,349
group in here on the flight camera

345
00:23:38,339 --> 00:23:36,579
you're actually pushing on us fever

346
00:23:41,999 --> 00:23:38,349
which is attached to the element group

347
00:23:44,310 --> 00:23:42,009
but you couldn't get that find her with

348
00:23:47,939 --> 00:23:44,320
us he asked the guy that wears glasses

349
00:23:49,529 --> 00:23:47,949
I've done back it looks focused to be so

350
00:23:53,430 --> 00:23:49,539
what you want to do you want lines are

351
00:23:54,810 --> 00:23:53,440
supposed to be growing rotate this see I

352
00:23:56,669 --> 00:23:54,820
haven't checked I haven't bothered his

353
00:23:59,069 --> 00:23:56,679
adjustment because it gets the black

354
00:24:01,979 --> 00:23:59,079
lines are crisp yeah use oom din what

355
00:24:04,680 --> 00:24:01,989
they find I'm zoomed in yeah and I can

356
00:24:10,559 --> 00:24:04,690
see little free and when I say there's

357
00:24:14,099 --> 00:24:10,569
pretty good for EPG hairy-legged to do

358
00:24:15,479 --> 00:24:14,109
so okay so then i would not bother him i

359
00:24:16,769 --> 00:24:15,489
wouldn't even think so now you're in a

360
00:24:21,910 --> 00:24:16,779
position to decide whether or not the

361
00:24:27,930 --> 00:24:25,139
well we'll go into that a bit later too

362
00:24:30,839 --> 00:24:27,940
we have in fact you can do is you if

363
00:24:33,359 --> 00:24:30,849
your focus about shoot it and then we

364
00:24:40,549 --> 00:24:33,369
can all vote on it and the Bears going

365
00:24:43,879 --> 00:24:42,440
the Grampian interview phillips was in

366
00:24:47,690 --> 00:24:43,889
the background and she's the governor of

367
00:24:50,149 --> 00:24:47,700
the state of texas or something so we

368
00:24:51,710 --> 00:24:50,159
can care less about this rock this lens

369
00:24:53,659 --> 00:24:51,720
what you get it past that how you feel

370
00:24:55,220 --> 00:24:53,669
everything is pretty pretty far

371
00:24:57,919 --> 00:24:55,230
surpassed up that's the other thing I

372
00:25:00,470 --> 00:24:57,929
say to you wanna clear that your lens up

373
00:25:11,330 --> 00:25:00,480
and set your frame and do your focusing

374
00:25:13,430 --> 00:25:11,340
with the legs wide open yeah but not see

375
00:25:15,499 --> 00:25:13,440
we didn't we didn't change the EBSCO no

376
00:25:16,609 --> 00:25:15,509
we didn't know was wide open I said just

377
00:25:18,230 --> 00:25:16,619
I just wanted to make the point that

378
00:25:21,080 --> 00:25:18,240
when you're gonna when you're gonna do

379
00:25:22,879 --> 00:25:21,090
this process that you check at the lens

380
00:25:25,009 --> 00:25:22,889
on the camera is wide open cuz it's

381
00:25:27,409 --> 00:25:25,019
everything's just way harder look less

382
00:25:28,730 --> 00:25:27,419
like going through I want to close this

383
00:25:29,840 --> 00:25:28,740
thing down and just have to just have a

384
00:25:32,029 --> 00:25:29,850
look at the difference it's looking

385
00:25:33,919 --> 00:25:32,039
through there's wide open now if you

386
00:25:36,100 --> 00:25:33,929
tried to focus like that so you see how

387
00:25:38,989 --> 00:25:36,110
kind of trouble you'd be in town and

388
00:25:41,180 --> 00:25:38,999
that's 22 here's a that's halfway open

389
00:25:45,739 --> 00:25:41,190
so even if there's it's real difficult

390
00:25:47,389 --> 00:25:45,749
to do so first grab it to focus just

391
00:25:52,310 --> 00:25:47,399
make sure it's wide open we're not gonna

392
00:25:54,200 --> 00:25:52,320
get shut well where r gets above do not

393
00:25:56,359 --> 00:25:54,210
today so what you think none orbit an

394
00:26:00,980 --> 00:25:56,369
orbit alright then you'll be so fast it

395
00:26:06,450 --> 00:26:03,690
your folk your critical focus is one

396
00:26:12,600 --> 00:26:06,460
forward right-hander Bruce I leave a

397
00:26:17,810 --> 00:26:12,610
little whispers yeah 26 you can you can

398
00:26:24,390 --> 00:26:20,039
exposed for the exterior and this just

399
00:26:27,919 --> 00:26:24,400
boost what you can in fact this shot is

400
00:26:30,659 --> 00:26:27,929
very difficult involving because the

401
00:26:34,350 --> 00:26:30,669
together really in the print they fudged

402
00:26:35,970 --> 00:26:34,360
it a bit because it go work with but in

403
00:26:37,950 --> 00:26:35,980
the film it's always been hard to print

404
00:26:41,039 --> 00:26:37,960
it so you got some reasonable blooms

405
00:26:48,210 --> 00:26:41,049
from the earth and reasonable detail in

406
00:27:01,980 --> 00:26:48,220
the car just a little bit too I don't

407
00:27:03,960 --> 00:27:01,990
even know if this is also another boat

408
00:27:07,169 --> 00:27:03,970
the older with range of canal you want

409
00:27:13,169 --> 00:27:07,179
to see it every wide open stop I can

410
00:27:16,289 --> 00:27:13,179
hahaha fedora suits you yeah no they get

411
00:27:24,880 --> 00:27:16,299
to things you don't start address oh yes

412
00:27:30,320 --> 00:27:28,520
what happens I think this is a big is a

413
00:27:33,230 --> 00:27:30,330
big roll film your waist 10 pounds

414
00:27:34,820 --> 00:27:33,240
sometimes the next are you shoot settle

415
00:27:36,470 --> 00:27:34,830
you take this shot it would happen

416
00:27:38,659 --> 00:27:36,480
probably there'll be a little extra for

417
00:27:40,430 --> 00:27:38,669
camera stops that way it will carry

418
00:27:45,080 --> 00:27:40,440
around a little bit further so you just

419
00:27:46,909 --> 00:27:45,090
turn to take the slack out doesn't start

420
00:27:50,000 --> 00:27:46,919
up and then forget it I hit that stuff

421
00:27:57,140 --> 00:27:50,010
beats like this I'll put some in there

422
00:28:07,190 --> 00:27:57,150
so you can just feel but come around the

423
00:28:09,740 --> 00:28:07,200
corner in a little bit just a minute

424
00:28:13,130 --> 00:28:09,750
back again oh are you wanna be Wanna Be

425
00:28:20,890 --> 00:28:13,140
ah yeah Hilton your you guys work and

426
00:28:42,940 --> 00:28:20,900
you're all marked ready to go James yeah

427
00:28:48,410 --> 00:28:45,830
since Bruce and Kathy are a VA right now

428
00:28:57,310 --> 00:28:48,420
and I want to get the telescope yeah I'm

429
00:29:05,840 --> 00:28:57,320
gonna think I'll quit focus on Bruce

430
00:29:11,249 --> 00:29:09,240
keep them low in the frame okay how far

431
00:29:13,759 --> 00:29:11,259
up the frame is my head Regin your head

432
00:29:18,299 --> 00:29:13,769
is right in the middle I'm new so kid